my
favorite broadway musicals: “i believe in you”
https://www.youtube.com/watch?v=0iAZsKgHK_U
Composer: Frank Loesser
Performer: Robert Morse,
1961 (original Broadway recording)
https://www.youtube.com/watch?v=pmV74kOzK1Y
Composer: Frank Loesser
Performer: Michele Lee,
1967 (film version)
https://www.youtube.com/watch?v=bLEXE3oT3KA
Composer: Frank Loesser
Performer: Robert Morse,
1967 (film version)
https://www.youtube.com/watch?v=ZbAjOJwyAwc
Composer: Frank Loesser
Performer: Robert Morse
(Tony Awards program)
https://www.youtube.com/watch?v=qyCZN0B49Yk
Composer: Frank Loesser
Performer: Matthew
Broderick, 1995 (revival)
https://www.youtube.com/watch?v=LCXVuYcXw3M
Composer: Frank Loesser
Performer: Daniel
Radcliffe, 2011
Frank Loesser’s
beautiful song from his How to Succeed in Business without Really
Trying is sung twice in the 1961 Broadway production, once as a kind
of love paean to the young would-be executive, former window-washer, J.
Pierrepont Finch. The second time it’s sung by the now on-the-rise businessman
Ponty as a love song to himself, while all around him other young executives
plot his downfall with a sub-song “Gotta Get that Man,” wherein the other
employees even beg the audience “Don’t let him be such a hero!”
Only
Robert Morse perfectly captured the totally self-captivated, yet utterly
charming character he represented, although later Matthew Broderick and the
elfin Daniel Radcliffe bravely tackled the dichotomy of a man so enchanted with
himself that he is simply beautiful to watch as he stands at a sink before the
mirror that reflects his charming smile—to both himself and to us. Like the
secretary Rosemary Pilkington (in the original stage musical Bonnie Scot and in
the movie version the glorious singer Michele Lee), we love Morse despite his
obvious inability, until late in the show, to share love with anyone else. When
he finally does, in the beautiful crescendo of “Rosemary” and the later
all-team love-a-thon “Brotherhood of Man,” he moves on to become the Chairman
of the Board of the mysterious World Wide Wicket Company.
The young Morse, long before his drag
queen days of Sugar and his one-man
impersonation of Truman Capote in Tru,
was as cute—in his heterosexual role as Finch in How To, that my old aunts might have expressed it—as a button, with
even the great gay-oriented Carl Van Vechten putting him before the camera. In
real life, Morse, was married, and had five children. But you might never know
it, given his gay-winking delight with his audiences.
As a character, he’s utterly terrified of
women, including the well-endowed Hedy LaRue. And when he finally does fall for
Rosemary, it is only after she has done nearly everything in the secret book of
“How to Catch a Husband” to lasso him in, at the very moment she is not so sure
that she wants her trophy. Still, she’s “Happy to Keep His Dinner Warm,” and is
absolutely ready to retire to New Rochelle, even though, ultimately the couple
move into the World Wide Wicket Suite for the Chairman of the Board.
The
great composer Loesser’s songs include some very engaging pieces, including
“The Company Way,” “A Secretary Is Not a Toy,” and the nearly impossible to
dance, Bob Fosse’s “Coffee Break” (we’re told they simply could not recreate it
for the movie). But there’s only one song you might go home humming, the smug
commitment to the self so beautifully expressed in “I Believe in You.”
Executives:
Gotta stop that man,
I gotta stop that man
cold . . .
Or he'll stop me.
Big deal, big rocket,
Thinks he has the world
In his pocket.
Gotta stop, gotta stop,
Gotta stop that man.
FINCH:
Now there you are;
Yes, there's that face,
That face that somehow I
trust.
It may embarrass you to
hear me say it,
But say it I must, say
it I must:
You have the cool, clear
Eyes of a seeker of
wisdom and truth;
Yet there's that
upturned chin
And that grin of
impetuous youth.
Oh, I believe in you.
I believe in you.
Los Angeles, September
18, 2017
Reprinted from US
Theater, Opera, and Performance (September 2017).
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