my favorite broadway musical songs: “chain of love“
Composers. Claibe Richardson and Kenward Elmslie
Performers: entire cast and Barbara Cook
Complete original cast recording, 1971
https://www.youtube.com/watch?v=ZJ-pkArxYEI
Composers: Claibe Richardson and Kenward Elmslie
Performers: Cast and Barbara Cook
Stolen songs from the last performance of the musical, 1971
https://www.youtube.com/watch?v=vmsaGLJMDO4
Composers: Claibe Richardson and Kenward Elmslie
Performer: Barbara Cook
https://www.youtube.com/watch?v=9gCql8CAuGs
Composers: Claibe Richardson and Kenward Elmslie
Performer: Susan Watson, 1979
https://www.youtube.com/watch?v=_qobMzqX4n8
Composers: Claibe Richardson and Kenward Elmslie
Performer: Haley Jane
https://www.youtube.com/watch?v=giNWlbYAy3o
The
great stand-out, however, is “Chain of Love,” which isn’t even titled that in
the list of original songs in the current listings. But anyone who has sung it,
including Cook and Susan Watson has titled it that in their wonderful
appearances.
Of
course, Cook sings it best, but it has yet to be discovered by hundreds of
others who might turn its beautiful lyrics and music into something else. This
is a musical just waiting to be rediscovered. With lyrics that Elmslie
wonderfully created, how can you not fall in love with Dolly Talbo, even if she
has never herself discovered it for herself:
If love is a chain of love
As nature is a chain of love
With link after link after link
Then I’ve always been in love I think.
…..
Yet, I’ve always been in love I guess.
The sad after thoughts of “I think,” and “I
guess” represent Dolly’s impossible comprehension of what she has been missing,
even though she truly realizes it in simply the “links” of her relationships
with other human beings. And her final determination to take to the trees in
protest for what has been denied her, is so brilliantly expressed her new
comprehension that love is something more that she has quite experienced,
represents what this performance is all about. Why the critics so abused this
lovely, if slight, musical is incomprehensible. This musical should be
celebrated, not shunned and even less forgotten.
Los Angeles, December 31, 2017
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