my favorite broadway musical songs: “mira” from carnival!
by Douglas Messerli
https://www.youtube.com/watch?v=lXwix_Iw2B8
Bob Merrill, Carnival!, 1961
Performer: Anna Maria Alberghetti,
1961
https://www.youtube.com/watch?v=i0lex7kZSBA
Bob Merrill, Carnival!, 1961
Performer: Joni James, 1961
One of my very favorite joys in the
early 1960s was listening to the score of Carnival!,
a gentle musical based on the 1953 film Lili
with Leslie Caron in the lead role. The 1961 Broadway musical, with book by
Michael Stewart and music and lyrics by Bob Merrill (previously of “How Much Is
That Doggie in the Window” [a Patti Page song] and “Mambo Italiano” [sung by
Rosemary Clooney]-fame). The musical was filled with notable singers and
performers, including Kaye Ballard, Jerry Orbach, Pierre Olaf, James Mitchell,
and Henry Lascoe. But it was its star, young opera singer Anna Maria
Alberghetti, who made it so special for me.
I come from the town
of Mira
Beyond the bridges of St. Claire
I guess you’ve never heard of Mira
It’s very small but still it’s there
They have the very greenest trees
And skies as bright as flame
But what I liked the best in Mira
Is everybody knew my name
Can you imagine that
Can you imagine that
Everybody knew my name
The musical, which also included
memorable tunes such as “Yes, My Heart” and “Love Makes the World Go Around,”
was one of producer David Merrick’s many hits, running for 719 performances,
with several revivals in the years since.
I could hardly believe my luck when a
traveling company decided to visit Cedar Rapids, near where I lived, to present
the musical at Coe College. It was perhaps my very first professional musical
viewing—although by that time I knew theater drama and musical theater better
than anyone else in town. After all I had lived it through my imagination.
Being somewhat a sentimentalist, I’m sure while watching it, I bawled my eyes
out.
Years later, I met Anna Maria Alberghetti at an art opening, and
couldn’t resist a blushing thank you for the joys she’d given me as a young
man.
Los Angeles, August 25, 2017
Reprinted
from US Theater, Opera, and Performance (August 2017).
No comments:
Post a Comment